Testimonials

“Everyone can now hear more consistently and clearly because they have their own space. KLANG helps in so many ways.”

Feid – Carlos Dickson — Monitor Engineer for Feid

“I don’t need any external kit for KLANG or recording, just the two cards that sit in the back of the desk and a couple of bits of ethernet! I had read an article about rock band Sigur Rós’s monitor set up and they were using a SD12 with KLANG. Everything fitted neatly into a flight case that was the same width as the desk sitting on top and I thought ‘Yep that’s how I want to roll (quite literally) this summer!’.”

Keane20 – Hannah Brodrick – Monitor Engineer for Keane20

“KLANG’s system is remarkable for its quick setup.”

Shochiku Showbiz Studio – Yuichi Goto – Sound Engineer at Shochiku Showbiz Studio

“The joy of KLANG is that we can give the musicians much more space for their mix, which is really important for a show like this when there are so many elements to each song, and you want to stay connected to the audience.”

Ministry of Sound Classical – Leigh Davies – Monitor Engineer for Ministry of Sound Classical

“I tried hard to convince them that it’s life-changing, and they just didn’t believe me—until they heard it.”

Church Unlimited – Parker Gann – System Engineer at MessengerAVL

“[…] it becomes much more user-friendly and intuitive than other systems I’ve used.”

Within Temptation – Bennie Veenstra – Monitor Engineer for Within Temptation

“To be able to make a mix in which you position everything perfectly, delivering unparalleled balanced sound to the ears is very satisfying.”

Belgium Jazz Orchestra – Stijn Declercq – Sound Engineer at MONO

“They’ve been very impressed, whether they’re new to the professional aspect of this or have been doing it since they were using wedge floor monitors or just stereo IEMs.”

New Life Austin – TJ Feronti – Tech Director at New Life Austin

“It’s a remarkable enhancement for them due to the ease of setup, operation during rehearsals and shows, and, of course, the exceptional sound quality that KLANG delivers.”

Stadttheater Klagenfurt – Manuel Bundschuh – Head of Audio at Stadttheater Klagenfurt

“KLANG represents an entirely new realm of in ear monitoring. It’s a complete solution that truly sets you free!”

Antonis Remos – George Panolaskos – Monitor Engineer for Antonis Remos

“Furthermore, as a church that relies on a lot of volunteers, they may have people with a very wide range of abilities managing all those mixes. So they needed a platform that could manage high channel and stereo-output counts, would have an easy-to-use interface, and also sounded great. KLANG is the only one that checks all those boxes.”

Brentwood Baptist Church – Tim Corder – Diversified’s Vice President of Faith & Performance

“It’s much more aligned with how our ears and brains process information on a day-to-day basis, rather than simply putting on a pair of headphones and working with stereo limitations. It’s about trying to make it feel as natural as if you weren’t wearing headphones or in-ears. It just blew my mind!”

The Time Traveller’s Wife – Richard Brooker – Sound Designer at “The Time Traveller’s Wife”